Multiple Super-8 Cameras
|Time Exposure with three Eumig Super-8 Cameras
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I recommend having at least 3 or 4 of the same Super-8 camera model before attempting to shoot a Super-8 feature film. Make sure all of these Super-8 cameras work properly before attempting to make your feature film.
Three or four matching Super-8 cameras will probably increase the likelihood that look of your project will match from camera to camera. However, the primary reason to own 3 or 4 Super-8 cameras before attempting to shoot a Super-8 feature is that virtually no one in the world will fix a Super-8 Camera quickly, unless you have a special contact or friend who will do it and lives nearby.
Your extra Super-8 cameras can also come in handy for certain shots or scenes in which you may only get to do one or two takes and decide to have two or more cameras running for that particular scene. Many times stunt scenes will have several cameras running at that same time so that a successful stunt doesn't have to be repeated.
Super-8 cameras are very inexpensive and usually you can find more than one of the same camera model. However, beware that many times the super-8 cameras sold on eBay may be in need of a servicing or repair from a qualified technician. Super-8 technicians are few and far between so although you can find the cameras, getting them serviced can be tricky.
Accessories for your Cameras
|All that film Equipment fit in a Subaru!|
The more super-8 cameras of the same make and model that you find, the easier it will be to carry the necessary camera accessories that will fit on all of your cameras. These super-8 camera accessories include lens shades, wide angle attachments, filters, lens caps, tripods, and for the really serious a camera blimp. It saves time to be able to switch cameras and be able to use the same accessories.
If your main super-8 camera stops working, all of the main camera accessories can then be easily put onto the back up cameras. Should you use more than one camera for your film shoot, consider keeping all the film shot with each camera together. When transfers to video are done, one can avoid the inevitable frame line differences and possible lens coating differences that produce a different look from each super-8 camera.
To the right is lighting equipment that was used on a low Budget Super-8 film.
What if my Super-8 cameras are all Different Makes and Models?
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Try and figure out where each Super-8 camera does its best work. The quieter running Super-8 cameras should probably be used indoors. The louder cameras should probably be used outdoors.
Cameras with bigger telephoto lenses can be used to keep the camera farther away from the actor while still getting a nice close-up. This can prove useful for indoor shoots in large rooms since the camera can be put farther away from the actor. Placing the camera farther away should reduce the camera noise that is picked up by the microphone.
However, I personally am a fan of putting the camera closer and using less of the zoom lens for shots of the actors interacting with each other.
You might also have an XL (existing light) super-8 camera that does not have much of a zoom. The XL cameras might prove more agile for filming outside at night, or indoors in low light situations. Just be careful as some XL, small zoom cameras are completely automatic and their exposure meters can be fooled by any intense beam of light that enters the frame.
Super-8mm.com - Super-8mm Low Budget Feature Filmmaking Techniques
Page-1 Super-8 Links, Overview & Methods.
Page-2 Super-8 Guerilla Filmmaking.
Page-3 Indoor & Outdoor Locations.
Page-4 Super-8mm Film Stock Strategies.
Page-5 Super-8 Production News & Notes.
Page-6 A Good SoundTrack Can Make Your Film.
Page-7 Using Quiet Super-8 Cameras.
Page-8 Best Script Concepts for Super-8mm.
Page-9 Acquiring Same Model Super-8 Cameras.
Page-10 One Stop Super-8 Film Labs.
Super-8mm.net - The Many Advantages of Super-8mm Filmmaking are Revealed.
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Page-7 Flicker Super-8 Shooting Strategies
Page-8 Using Polaroids.
Page-9 Super-8 Cameras.
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